The Wiwi Jury — our in-house panel of music unprofessionals — continues to rate and review the 41 competing entries of Eurovision 2019. Next we take a look at Australia, where Kate Miller-Heidke has “Zero Gravity”. Did we want to float away with her? Read on to find out!

Kate Miller-Heidke – “Zero Gravity”

“Zero Gravity” reviews

Josh: The opening might seem boring to those with the view that Eurovision songs need to grab you in the first 30 seconds, but those people are missing out on a song that ends up both powerful and touching. There’s an authenticity and honesty present as Kate takes us from feelings of vulnerability and hopelessness to the discovery of a new self-confidence. As the song soars to its end, as the techno beats kick in, your heart goes with it. For that reason, it deserves to be considered one of the best songs of this whole year and shouldn’t be dismissed as a challenger to Duncan’s favourite status as of now.

Score: 9/10

Kristin: Oh Australia. How I love you and want everything good for you. However, I’m not in awe over “Zero Gravity”. There doesn’t seem to be a fully developed song here, its just Kate doing endless voice loops. She is a powerhouse, don’t get me wrong, it’s just that I was waiting and waiting for the song to kick in, but instead I got a three-minute long intro — that is not how you grab the audience! For the first time, the Australian entry is far from being my cup of tea, and that saddens me beyond belief. I’m so sorry, but I fear the worst for Australia this year.

Score: 3/10

Antranig: After four years of respectable entries, Australia has finally sent something that is so much more. There’s personality here — something Australia has lacked in previous years, which has hurt us with the televote. The message is personal yet completely relatable, at least for me. The song structure is extremely clever — the first third whets your appetite, the second third increases the drama and the final third is truly anthemic. Vocally, she’s in a league of her own. I’m so proud of our Kate and this is going to slay!

Score: 10/10

Pablo: I get what “Zero Gravity” is trying to be; an eclectic mix of grandiose space opera and dance floor filler that would make people stop and listen: I love the concept. But the package feels haphazardly made and not even Kate’s crystal clear vocals can mesh the different parts that well. The last third (“Nothing holding me down”) is pretty jarring and feels like the think tank hit Empty while writing the lyrics. Australia needs to stage this right, because one misstep could turn the entire package into something comical and all the magic it critically needs would be lost.

Score: 5/10

Sebastian: Having seen this performed live and in the flesh at the Australian national final, “Zero Gravity” was, by far, one of the most outstanding aural and physical experiences to hit a Eurovision stage. With a song so deep and personal, the embodiment of depression through lyrics, staccato and range add a real depth and layers to what is seemingly a mashup of pop and opera. While it may not have come across as well through the television, here’s hoping a staging revamp for Tel Aviv can deliver Miller-Heidke a much-deserved top result.

Score: 9/10

William: Songs you can’t define have a habit of defining Eurovision — and this is definitely among them. Kate Miller-Heidke comes to Eurovision with an enormous song that snakes through opera, dance and house. It’s big, bonkers and will have many people asking, “Why?” My lingering feeling is, “Why not?” The mysterious opening leads to a final minute that’s so uplifting you can help but sway along. The staging needs a lot of work — it’s not a matter of tidying, but of revamping. But assuming that falls into place, this is headed straight to the final.

Score: 7.5/10

In the Wiwi Jury we have 29 jurors but only have room for six reviews. The remaining scores are below:

Angus: 8/10

Anthony: 6.5/10

Antony: 8.5/10

Barnabas: 7/10

Bernardo: 5.5/10

Calvin: 7/10

Chris: 7/10

Deban: 5/10

Essi: 2.5/10

Florian: 6/10

Izhar: 5/10

Jack: 4.5/10

Jonathan: 5/10

Julian: 4.5/10

Lucy: 2/10

Luis: 5.5/10

Lukas: 8/10

Mikhail: 2.5/10

Oliver: 10/10

Renske: 5/10

Robyn: 6/10

Ron: 7/10

Tobias: 5/10

We have removed the highest and lowest scores prior to calculating the average. This is to remove outliers and potential bias. We have removed a low of 2 and a high of 10.

Wiwi Jury verdict: 6.09/10

What do you think of this song? Share your own score and review below!

See all our Eurovision 2019 reviews and rankings

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rio de la plata
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rio de la plata

.

M A
Guest
M A

Actually loving how divided people are over this.
Come May whatever will happen will happen. And if we get our first NQ at least it’s a song we’re proud of.

L'oiseau
Guest
L'oiseau

In principle I am not a fan of popopera. I like opera too much for that. Furtherore the tendency is to mix opera vocal stylings with rather dubious pop/techno sounds, which to my ears sounds appalling. (case in point Sweden 2009…). This entry however has something artistic and contemporay in the way it is crafted that makes it quite palatable and enoyable for me and goes beyond showing off Kate’s vocal capabilities. The minimalistic beat and verses does the trick for me. Kudos for Australia to try out something different and for downplaying the staging that was indeed too much… Read more »

Colin
Guest
Colin

AUSTRALIA – For once, The Land Down Under doesn’t play it safe. Instead of giving us another slick pop song, they are sending an epic popera with a dash of electronics. Kate is an amazing performer and a vocal masterclass! The song is about handling depression and I find it very uplifting indeed. It feels very authentic and atmospheric. The verses, sung in pop style, are emotional and the chorus, sung operatically, is extra powerful. It can seem like a bit of an overload of too many ingredients at once, but I personally love it! The staging needs to reflect… Read more »

Magpie
Guest
Magpie

Deban’s 5/10 is a huge improvement over his initial reaction!

Serafina
Guest
Serafina

It’s a 10 out of 10 for me and confidently think Australia is a potential top 5 finisher despite all the hate it’s getting on YT. It’s got all those traditional opera qualities the juries loved about Estonia last year but it also manages to sound mainstream and almost radio friendly which appeals even more to the juries, as radio friendliness seems to be their ultimate kink. In reggards to televote, even those who don’t connect to the song will be blown away by her vocals and much like croatia 2017, this will do better than expected. Nothing holding her… Read more »

Briekimchi
Guest
Briekimchi

Hmm. Divisive. First of all, well done to Australia for picking a strong live singer after two years of disappointing vocal performances. Kate will do great. The song is (intentionally or not) hilarious. I don’t love it (take away Katie’s vocal and there’s not a lot there) but I am predicting Australia to be surprise winners of SF1. Again, all because of the awesomeness of Kate.

Heyhey
Guest
Heyhey

Go Australia, let’s see what people say in rehearsal week!

Peters
Guest
Peters

I want to see the faces of haters when this entry scores high with the televote in May. This is so televote bait for many reaosns.

Sabrina
Guest
Sabrina

I get why big part of the fandom think it’s over the top, but I have ze-e-e-e-ero problem with that when the concept is as creative as the one seem here. The production is tight and the beat is infectious. Pop opera entries can sound as an excuse for a singer to show off, but here the operatic notes serve the song and not the opposite. The challenge is to translate it to a live show. I felt Kate’s vocals were unstable during the national final. The staging was a smart depiction of depression, but the aesthetics were tacky. 8.5/10

Sabrina
Guest
Sabrina

I’ve never been a fan of Jessica’s song, but they gave her a very unflattering stage show. Her likeability wasn’t enough to distract me from that.

Kim
Guest
Kim

I think a lot of countries last year used the same person for their staging and I think the Australian delegation felt ripped off by that person over the last 2 years. I hope we do our own thing this year and not rely on that person again who obviously spread themselves so thin that they didn’t have a clue how to stage last years performance. When I saw it last year on TV my first thought was who went to the dollar store to get the PVC piping

Kuhkatz
Guest
Kuhkatz

Well, Jessica and We got love was already dreadful (especially the live show).

But Zero Gravity is even worser. Feels like Azerbaijan the last few years, Australia just cant get the pace on the same level. Isaiah at least finished in Top 10, but already last year, Jessica crashed down and was saved only by the juries.

Kris
Guest
Kris

Lol, Jessica got a higher televote than Isaiah

Worser is not a word

Yaya
Guest
Yaya

We want Electric Fields or Sheppard!

Polegend Godgarina
Guest

HAHAHA SUFFER

Kim
Guest
Kim

Too late mate this is the song that won , entries are closed , no backsies.no return to sender , no boomerangs and as Polegend Godgarina says HAHAHA SUFFER

Skiwalko
Guest

Oh yes, Australia. It’s absolutely a great song, tho I think it’s too often overlooked by the fans and simply taken as a joke/gimmick entry. When you look at the lyrics, a different story emerges – “Zero Gravity” is a conversation with depression, darker side of your personality, acking in your soul, force trying to make you give up. It’s an intimate therapy, almost a fight with yourself, a moment when you stand up and say “no more” – which is beautifully presented on stage. The song starts with Kate saying “hey you…”, almost like to an old friend. She’s… Read more »

mamma mia
Guest
mamma mia

For me the lyrics aren’t clever, it’s easy writing, basic. I appreciate the message but it’s not that interesting.

Qw34ty
Guest
Qw34ty

The lyrics personify depression in a creative way while the metaphors used accurately describe the feelings experiences during PND without relying on cliches. Just because the lyrics are simply and easy to understand doesn’t make them dumb or basic.

Rimig
Guest
Rimig

2. GRE (9.0)
3. ICE (9.0)
4. SWE (9.0)
5. AZE (9.0)
6. BEL (8.5)
7. SWI (8.0)
8. RUS (7.5)
9. NMC (7.5)
10. EST (7.0)
11. HUN (7.0)
12. ROM (7.0)
14. AUS (7.0)
15. FRA (6.5)
16. IRE (6.5)
17. ARM (6.5)
18. ALB (6.0)
20. AUT (6.0)
21. DEN (5.5)
22. NOR (5.5)
23. SLO (5.5)
24. MAL (5.5)
26. ESP (5.0)
27. FIN (5.0)
28. CZE (5.0)
29. BLR (5.0)
30. UK (5.0)
31. SER (4.5)
32. GEO (4.5)
33. CRO (4.0)
34. ISR (4.0)
35. GER (3.5)
36. MOL (3.5)
37. LIT (3.5)
38. MNE (3.0)
39. LAT (2.5)
40. POL (2.5)
41. POR (2.0)

Polegend Godgarina
Guest

@ mr. vanilla bean

Rimig
Guest
Rimig

At first listen I was quite sure that I would end up really loving Australia’s entry. I was wrong, though. It never grew on me after that first listen. Sure, I can appreciate Kate’s vocals and technique and I have absolutely nothing against (p)opera in the ESC (“La forza” was definitely in my top 5 last year), but there is something in this song that doesn’t make that final click with me. In a certain way, it gives me a similar feeling as Sergey’s “Scream”: it feels a bit like a product rather than a genuine song (I must admit… Read more »

Edward
Guest
Edward

I think it’s a case of whether people have the patience to actually listen and not reduce this song to being Estonia mk. 2 because there is an intelligence and class to the way this song is written that is just amazing.

Egle
Guest
Egle

It’s just a parody of La Forza

Polegend Godgarina
Guest

here is your typical musically illiterate person tryin to compare a traditional operatic song like la forza to an electronic, lo-fi inspired piece with operatic vocals. literally stfu if u don’t kno what u talkin bout.

Colin
Guest
Colin

I second everything Polegend said there. Two very different opera songs, but both great in their own right.

Purple Mask
Guest
Purple Mask

Principles, my dear. Remember that we are all entitled to our opinions, even if we don’t know what we’re talking about.

Kris
Guest
Kris

Trivia Question :
How many listens did it take for you to realize that the entire song and the ‘ahhhhhh’ in the end of the song is because Kate snubbed her foot with a stone in her shoe?

Me: 8 listens

Fun fact: The song is based on truth. Kate snubbed her foot with the cobblestones on the Amsterdam roads and was advised 2 weeks of no foot movement by the doctor. She is a clairvoyant. She released the song even before the incident. I think this fact alone deserves at least a qualification.

ESC LOU
Guest
ESC LOU

I actually quite like this entry however I am still extremely salty about 2000 and Whatever not winning! Kate’s vocals are just out of this world but there’s just something missing to make this song really amazing. Nevertheless I like it and I think it will qualify this year. 8/10

Salvador Silva Gomez
Guest
Salvador Silva Gomez

@Antranig Seriously? I mean…. Seriously???? Australia is not going to the Grand Final.

Kosey
Guest
Kosey

I really like this entry. The national final performance does it a disservice due to the (unfavourable) comparison to Estonia last year. But this is a completely different song. Once you get past the popera novelty, there is actually a very pleasing song underneath, especially the last minute which takes me to a different place from when the song started. I really hope they do something completely different with the staging in the final, and this could do much better than expected. For now, it just gets into my top 10.

Una
Guest
Una

With no particular view to this year’s Australian act: I.Don’t.Like. Australia.In.Eurovision. They try too hard to fit in because, say all you want, they are outsiders. They’ve always been overrated by the juries, the exceptional Sound of Silence notwithstanding, the big messes of 2017 and 2018 that still qualified (juries) despite being average. And I saw the show live, the video of the performance of 2018 that is available must be from the jury show or a rehearsal. Australian music but staged by a Swedish company. This year’s entry is decent, the artist seems capable and talented. I still don’t… Read more »

Wouter
Guest
Wouter

Australia’s going to be in Eurovision till at least 2023 and most probably beyond so best start getting used to them.

Oscar
Guest
Oscar

Hahaha – 18? That means everyone thinks you’re stupid.

Kaz
Guest
Kaz

I agree with you about our 2017 and 2018 entries. However, this time was our first chance to choose our entry, rather than it just being chosen for us … and I, for one, am happy with our choice. I’m sorry you don’t like having us at Eurovision, but I’m not sorry that we are involved … it’s something that I have always wished for.

Hmm
Guest
Hmm

I like this – feels like a mixture of opera and modern music and her voice is so nice.

Australia is barely missing out from my current top 10, and that may change after I listen to the first rehearsals.

Polegend Godgarina
Guest

i knew you’d stan this masterpiece mr. vanilegend <3

Polegend Godgarina
Guest

tbh i hope u message me someday, a legend

Polegend Godgarina
Guest

on kik ! george_tay

Purple Mask
Guest
Purple Mask

Kik: The_Purple_Mask
😛

ESCFan2009
Guest
ESCFan2009

Yes! You finally confirmed what we all knew: Polegend is the absolute amazing (seriously) ESC-YouTuber George A. Tay 😉

Polegend Godgarina
Guest

i mean i never denied it haha

Black eyes
Guest

This year botoom

Roelof Meesters
Guest
Roelof Meesters

I’m gonna be honest- I hate the studio version. Idk what it is but I just hate it. BUT! Live it just transforms into an entry with one of the most satisfying climaxes of the year (the part when she starts going into the nothing holding me down- section). Kate is an amazing singer and she really carries this song to another level when performed live. This is the fifth Australian entry in a row that I adore and it should have no problems to get in the final, and I hope the televoters don’t underrate them in the final.… Read more »

Nicolas
Guest
Nicolas

Zero gravity and zero points I hope.

Boubouki
Guest

And you have ZERO musical taste.

Scandi
Guest
Scandi

Bruh, everyone has different taste, respect that

Darren
Guest
Darren

Gotta hand it to Australia they certainly have mixed it up a little. Guy Sebastian was great, Dami was great…then they slipped off a cliff with each entry afterwards trying to replicate their 2016 success. Granted it also took me a while to accept their participation…but anyway. This year, they tried something different again so kudos for that. Kate may not have been my personal choice for Australia (Sheppard and Electric Fields got that honour), but it’s not all bad. However I am a bit rollercoaster with their entry this year. Sometimes I love it, sometimes I hate it. It… Read more »

Héctor
Guest
Héctor

Australia got us used to have quality entries but then, out of the blue, they sent this atrocious and dreadful piece of so-called song. Don’t get confused guys, “Zero Gravity” is not “La Forza” and Kate is not Elina. While “La Forza” was elegant and mind-blowing in a good way (I’m not a fan of Opera music, but I must appreciate it), “Zero Gravity” is cheap, shabby, over-the-top, embarrasing and tailored for what Australians think Eurovision is. Kate vocals are annoying and unpleasant as she is too pitchy and strident and her facial expressions are rather creepy. On the other… Read more »

Qw34ty
Guest
Qw34ty

It’s ironic isn’t it! Here you are trashing Zero Gravity in defense of 2000 and Whatever yet Electric Feilds love Kate and her entry, shows what you know.

Héctor
Guest
Héctor

Why am I supposed to like the same songs my faves like? That doesn’t even make sense. Try again.

Qw34ty
Guest
Qw34ty

Just because the point went completely over your head doesn’t mean I need to “try again”. I never said you have to like it but there is a difference between disliking a song and saying it’s bad. Electric feilds are educated, knowledgeable and experienced music professionals so if they say it’s good it discredits your whole argument. That’s the point I was making!

Tibor
Guest
Tibor

Elina wasn’t technically perfect. For an opera singer she was absolutely average. Kate on the other hand isn’t an opera singer and she doesn’t try to be one. You are not the only one who does this: stating that you don’t like opera, but then judging the vocal performance. That strikes me as a little odd, no offense. 🙂

milky
Guest
milky

I thought Elina was vocally pretty spot on

Tibor
Guest
Tibor

Do you go to the opera?

milky
Guest
milky

Yup and she sings just fine, I’ve heard worse

Tibor
Guest
Tibor

If that’s the deal, I can agree: I have also heard worse. 😉

Polegend Godgarina
Guest

my number one favorite <3 i love operatic vocals n i love her as an artist. i cannot get tired of the song. i can see why some hate it but their loss i guess !

Kris
Guest
Kris

I don’t understand the hate that this song is receiving. I actually don’t find it in any way bad. It has it out there feel for those who want that but it’s also pop and I don’t mind listening to it. She is a great vocalist , the staging was a bit random though , they probably need to work on that . Happy 2019. A 7.5/10. In my mind this would get jury support and if Estonia got televotes with a song with less mass appeal then this should too. The running order with Iceland following isn’t that great.… Read more »

Kris
Guest
Kris

Lol.

Kris
Guest
Kris

Wrong email Id entered.

Kris
Guest
Kris

.

Jake
Guest
Jake

I love her so freaking much.

Loin dici
Guest

Thw first time i get overly excited about Australia, both because of the song and the explicitly witty artist they have this year.

Marty Mc CU
Guest
Marty Mc CU

Australia has an experimental song this year, not sure if this is a safe option which will lead them through to the final. We have to live with the fact there were stronger songs in their national final. On the contrary its borderline non qualifier in my opinion, Just something is missing from the heart of the song. They are trying too hard and I am not sure this will fit with the European audience. All saying that the performer is great. The genre is make or break for them. Personally I think this will be the first year a… Read more »

Qw34ty
Guest
Qw34ty

Why on earth would we waste our money voting for a song we hate just to “fit in”.

Weißbrot
Guest
Weißbrot

I don’t really like this, because I feel like there is not much substance to the actual song. It’s a mere vocal show-off to me and the song loses itself completely in the last minute. HOWEVER I respect Kate’s vocal ability and I can see why people would like it. Despite the fact, that I’m not a fan of this entry, I’d like to see it in the final… for diversity reasons.

Qw34ty
Guest
Qw34ty

Fair enough if you don’t enjoy the song but to discredit it as a “vocal show off” and claiming it has no substance couldn’t be further from the truth.

Scandi
Guest
Scandi

Stop. Let people say exactly what they want regarding a song. Your toxicity is what I hate about this community.

Edward
Guest
Edward

I think you should take some of your own advice. It’s a free forum for all opinions and he had a right to defend the song. And calling other people toxic for no apparent reason is what I dislike about the community.

Weißbrot
Guest
Weißbrot

It’s how I see it and I have every right to say this.

Tibor
Guest
Tibor

“Zero Gravity” is inexplicably getting a lot of hate, I guess mostly from people who don’t want Australia in Eurovision. The song is well written, very difficult to sing even with a trained voice like Kate Miller-Heidke’s. Apparently even she misses the high note at the end of the second part every other time. Otherwise, this is a clever, varied composition with three distinct parts. The only thing I’d say is, that these three parts sound relatively disconnected from each other, but since they’re all interesting enough on their own, it doesn’t really bother me. Opera singing mixed with pop… Read more »

Anita
Guest
Anita

I share your views on this.

And it always elevates my appreciation for an entry when the performer is also the songwriter, like in this case.

Rob
Guest
Rob

I’ve always wondered why Australia hadn’t considered sending in Kylie Minogue. She’s already known, and might get a new boost for her career from this. If there’s anyone who can make the staging work, it’s her! 🙂

NickC
Guest
NickC

I love it too, and I am glad I am not the only one. Maybe we are the silent majority, who knows?

Purple Mask
Guest
Purple Mask

ROFL. “Silent,” us? 😀

Helene
Guest
Helene

Slovenia is not avantgarde sounds like any coffee shop music a la café del mar to me. Generic music.

Purple Mask
Guest
Purple Mask

Agreed here, with Mr. Vanilla Bean.
It happens sometimes.

Helene
Guest
Helene

Not jelous. Just don’t think it is avant garde at all. Walk in to any coffe shop like Joe and the Juice and hear the same kind if music. It is very rare in Eurovision with avantgarde music or master-pieces in music per se. I don’t remember if there ever been such an entry. Eurovision is about performance. The quality if music, staging and the performers ability to deliver. If all of these qualities come together we sense some kind of magic. That’s what I love about Eurovision.

Helene
Guest
Helene

Such magic happened with Alexande Rybak, Loreen and Elina Born and Stig Rästa. Neither being original or master pieces songs by themselves. The whole package just worked.

Helene
Guest
Helene

Nr Vanilla been I am hearing it right now at Joe and the Juice.

Jo.
Guest
Jo.

Probably the most hated entry of the year, for “whatever” reasons I guess. I like it.
7/10

KYLLITO
Guest
KYLLITO

I think the most hated award DOES NOT go to Australia but to Georgia or Montenegro, Georgia less deservedly.

John
Guest
John

Nowhere near the usual standards from Australia.
But I don´t blame them. First time ever with a national final – they clearly didn´t know what to do with it…
This is much more about voice than song.

Come back stronger next year!

HeyHey
Guest
HeyHey

It was a brilliant national final!

Shanfa Chai
Guest
Shanfa Chai

I’m glad that Australia moved away from their typical generic pop entries.

“Zero Gravity” earned a respectable 9th place in my ranking.

Möhrant
Guest
Möhrant

It appears to have divided the wiwi jury, but I am in the love it camp!

ESCFan2009
Guest
ESCFan2009

My 1st place 2019, I am not sorry! 😀 1. Kate is vocally in her own class. 2. The mix of pop and opera is phenomenal. 3. The melody comes across as very smooth, before the beat makes it more dynamic and the backings make it an anthem. 4. The staging has to be changed because of the dress comparisions, but it will be a banger. 5. The arm movements and the Z-e-e-e-ro Gra-a-a-a-vity are so glamouros together. This is the perfect example of what I meant, when I said I want attitude on stage. Pure perfection! My rating 11/10.… Read more »

Boubouki
Guest

Couldn’t agree more!

Ella Davidson
Guest
Ella Davidson

LOVE IT!
100% AGREEANCE

Atari 2600
Guest
Atari 2600

I really can’t stand this song. This could be Australia’s first ever NQ. They had so many better options in their NF and chose a woman with an antenna on her head? Of course it’s Australia, so wiwibloggs will always overrate it!

CookyMonzta
Guest
CookyMonzta

Love your taste in video games! I had 2 of them back in the 1980s. 🙂

This one is all going to hinge on what they put on stage. If they come with something very different, maybe they’ll qualify. But if they bring the same stage setup as they did at their national final (which I thought was corny), it will be a rather short stay.

Sav001
Guest
Sav001

Kate has already said that the staging has changed completely

CookyMonzta
Guest
CookyMonzta

My suggestion for a different stage setup: Get some strong cable and a harness that she can hide in her outfit, and have her float above the stage when she gets to the chorus. Higher as she gets to the climax, assuming she is not afraid of groundless open heights and she can hold those notes in mid-air. If they need to pad the floor for extra safety while she’s 3 or 4 meters in the air, do it.

onyx topaz
Guest
onyx topaz

Her vocals are one of the best of the year, if not the best. Something daring and different and unique from Australia and I hope they succeed because Kate is a wonderful woman. Go get ‘em Kate!

Colin
Guest
Colin

“The best Australian entry to date.” THIS! It’s fresh, unique and Kate owns it (review coming). About previous operatic songs, we pretty much share opinions too. Cvet z juga was amazing, Elina’s Forza was pure magic. Not keen on the other two either. I liked Malena’s operatic chorus, but hated generic pop verses. And Cezar’s It’s My Life is atrocious indeed. When I relistened 2013 songs, I realized why. IML isn’t opera at all! It’s actually a techno pop song, sung by operatic voice. The result was an assault to my ears.

Purple Mask
Guest
Purple Mask

Kate makes me feel the most happiness when I hear her song. In that aspect, Australia has the exact opposite effect that Island has on me.

Purple Mask
Guest
Purple Mask

“Hey you. It’s me again.”
This is the ultimate gimmick-fest of a song, and I LOVE it! I never thought I could ever say that. Kate’s “magic flute” opera vocals are wonderful, and really make the song stand out. The music is quite simple when ignoring the vocals, as it needs to be. Also, there is one possible choreographic gimmick that we have yet to see attempted at Eurovision, which this song obviously implies. If Australia can pull that off with Kate, it will be a “wow” moment. This is a crowd-pleaser of an entry, if done right.

Jo.
Guest
Jo.

“Hey, it’s me
Look, I know it might sound strange
But suddenly I’m not the same I used to be”