The Wiwi Jury — our in-house panel of music unprofessionals — continues to rate and review the songs competing in the andra chansen round of Sweden’s Melodifestivalen 2020. Next up, we listen to returning artist Malou Prytz and her song “Ballerina”. Did the song make us want to dance? Read on to find out!

Malou Prytz with “Ballerina”

“Ballerina” reviews

Angus: Too often we forget that Malou Prytz is sixteen. For her age she’s amazing. Vocally this is well put together and the hook becomes catchier on repeat listen. That being said, it feels as though the staging lacks energy, and only really comes alive in the drumbeat foot-stomping bridge. “Ballerina” is a catchy enough song and Malou is a competent performer. But it just feels as though they don’t necessarily belong together.

Score: 4/10

Florian: There’s a strong chord progression in “Ballerina” that really draws one into the song. Vocally, Malou’s far improved from her previous effort “I Do Me”. However, the performance came across as a bit stiff which might also explain why she wasn’t able to end up higher on the night. Personally, I’d like to see her bring the emotion across a bit further which could ultimately take her to the final.

Score: 6.5/10

Luis: “Ballerina” is little more than a powerful pop chorus. The verses are too weak: it feels like there’s nothing between one “When I’m alone” and the other. Luckily, that’s a great hook, but it only makes the song enjoyable for one of the three minutes. The rest passes completely unnoticed. It’s a pity because Malou Prytz is an absolute talent, but this song is below her.

Score: 6.5/10

Robyn: Something isn’t quite working here. “Ballerina” is a decent song, but it feels like something inspired by Sia’s “Titanium” era that has been given a modern production style (check out the Billie Eilish-inspired vocal distortion) in order to make it feel contemporary. Malou is a compelling young performer, but this song isn’t the right song for her.

Score: 6.5/10

In our Melodifestivalen Wiwi Jury, we have 14 jurors but only room for four reviews. The rest of our scores can be found below:

Antranig: 9/10

Åri: 8/10

Barnabas: 7/10

Jonathan: 7/10

Lucy: 8.5/10

Natalie: 5.5/10

Pablo: 7.5/10

Ron: 7/10

Tobias: 6/10

Tom: 8/10

Before calculating the average score, the highest and lowest scores are dropped. This is to remove outliers and reduce potential bias. We have removed a low of 4 and a high of 9.

Wiwi Jury verdict: 7/10

Read all our Melodifestivalen 2020 Wiwi Jury rankings here

Read more Melodifestivalen news here

18
Leave a Reply

avatar
10 Comment threads
8 Thread replies
1 Followers
 
Most reacted comment
Hottest comment thread
13 Comment authors
Ashton SchierPurple MaskJack PricefieldWhiskerMTD Recent comment authors
  Subscribe  
newest oldest most voted
Notify of
Purple Mask
Guest
Purple Mask

The entry is quite good overall, but has two issues. Ah, those clangers in the lyrics (ballerina / …dark arena; dance like you’ve never seen [ah?], I will dance like a ballerina). But also there is something not quite right with the performance. Robyn’s thought that the song isn’t right for Malou might be the vibe I’m getting as well; I’m not entirely sure why, but there is a “disconnect”. But other than that, it’s a solid entry. “Never give up” indeed.

Jack Pricefield
Guest
Jack Pricefield

I hope Malou wins her AC duel whoever she’s up against, as a mid-teenager she’s pretty incredible and her stage confidence has improved so much from last year. “Ballerina” is easy to remember and definitely a foot-stomper, I never fail to sing out loud during the bridge “I’ll never I’ll never I’ll never give up”

Héctor
Guest
Héctor

7 is too much in my opinion.

Whisker
Guest
Whisker

I think Malou is very talented for sure. It’s obvious she loves performing, I could see that last year and I see that this Melo too. But she is way too young for songs like that. I have an issue with the opening lines, that’s not something a 16 yo should sing about. Sorry not sorry. Did her label give her the song? Did she choose it herself? At the end of the day, labels make money off artists. It’s that simple. Performance-wise, she was probably very nervous, but good luck to her in the final.

Briekimchi
Guest
Briekimchi

Taking the lyrics out entirely, I feel like they’re making the same mistake they made with Isa a few years back. She was a surprise finalist with an upbeat song that seemed authentic to her and then they brought her back the year after with a more “winner”-type song that wasn’t true to what she was as an artist.
I prefer the “You do you, I do me” version of Malou but either way, there talent is obviously there even if her songwriters don’t really understand it.

Whisker
Guest
Whisker

i totally agree.

Polegend Godgarina
Guest

she’s the better sia tribute act this year tbh

Ashton Schier
Guest
Ashton Schier

Why does Sweden get this special treatment? Where’s the Wiwi Jury reviews of all the songs in all the selections? Why only Melodifestivalen? smh

keith mawson
Guest
keith mawson

Dotter Only decent song in Melfest with Perhaps Mama’s and Anna in 2nd and 3rd place

MTD
Guest
MTD

You must be new here.

Melodiplasticfestivalen is “the Queen” and its garbage plastic fantastic is always “made in heaven”, according to the fans.

Ashton Schier
Guest
Ashton Schier

nah fam im not new, ik that Melodifestivalen is plastic and mostly bad (as well as being endlessly supported by toxic fans), but I just hoped the wiwi jury would do more.

Grafton
Guest
Grafton

The song is REALLY good. I’ve had it on repeat. The production is amazing (that bridge!) and the chorus is powerful. But I hate the fact that the staging is a Sia copy-paste… With a more original staging the song would be on top of my scoreboard. Still I expect it to be in the final! I have it ranked at #5 / #6 among all the entries 🙂

Briekimchi
Guest
Briekimchi

To be honest, this is one that confuses me.
I’m not super-excited about it but it’s pretty good. Everyone who dismisses it labels it a Sia-rip or something along those lines but these same people are into Dotter’s entry.
It’s one of the better female entries this year for me.

Colin
Guest
Colin

Malou has proven to be a promising up and coming singer who can bring energy to stage. This time, she changed her pace a bit and sung a sleek pop ballad with a catchy chorus. The more I hear it, the more I like it. It might not have the wow factor, but Sweden could do much worse than this. I hope she reaches the final.
I assume this will be in my Melfest top 10.

Tom
Guest
Tom

She is my favorite !