In the aftermath of last weekend’s grand final, Eurovision 2023 artists have started climbing the charts all over Europe.
Below are just some of the countries that have opened up to this year’s Eurovision. Keep in mind, we don’t list every country where an act is charting, nor do we mention every act. Some markets don’t publish any form of singles charts while others only release airplay charts. And then, of course, several charts have yet to be updated for this week.
Eurovision 2023 songs in the charts
In Belgium, as per tradition, it appears that the Flemish are the ones most on board with Eurovision. Loreen is number #1 on the main chart with three more acts lower down the chart. In Wallonia, only Loreen and Belgium’s own Gustaph feature in the top 50.
- #1 Loreen “Tattoo” (Sweden)
- #2 Gustaph “Because Of You” (Belgium)
- #17 Käärijä “Cha Cha Cha” (Finland)
- #21 Alessandra “Queen Of Kings” (Norway)
- #5 Loreen “Tattoo” (Sweden)
- #34 Gustaph “Because Of You” (Belgium)
Finland’s chart is overrun with Eurovision. Fifteen of the top 50 songs are from the 2023 contest. That’s 30% of all entries on the chart. This figure rises further if you factor in several UMK hits which are still on the countdown, along with Loreen’s 2012 winner “Euphoria” which has re-entered at #48.
- #1 Käärijä “Cha Cha Cha” (Finland)
- #3 Loreen “Tattoo” (Sweden)
- #4 Alessandra “Queen Of Kings” (Norway)
- #10 Noa Kirel “Unicorn” (Israel)
- #12 Joker Out “Carpe Diem” (Slovenia)
- #20 Teya & Salena “Who The Hell Is Edgar” (Austria)
- #21 Vesna “My Sister’s Crown” (Czechia)
- #23 La Zarra “Évidemment” (France)
- #24 Blanka “Solo” (Poland)
- #26 Remo Forrer “Watergun” (Switzerland)
- #37 Tvorchi “Heart Of Steel” (Ukraine)
- #40 Pasha Parfeni “Soarele Si Luna” (Moldova)
- #42 Andrew Lambrou “Break A Broken Heart” (Cyprus)
- #47 Voyager “Promise” (Australia)
- #50 Luke Black “Samo Mi Se Spava” (Serbia)
Just three 2023 entries make the French charts, although the top 200 also includes hits from Rosa Linn (Armenia 2022) and Maneskin (Italy 2021).
- #34 Loreen “Tattoo” (Sweden)
- #82 La Zarra “Évidemment” (France)
- #152 Alessandra “Queen Of Kings” (Norway)
Once again, the European public didn’t appreciate their Eurovision effort but the Germans don’t appear to be taking it too personally. Three of this year’s entries make the country’s top 20. However, local lads Lord of the Lost are absent from the top 100.
- #7 Loreen “Tattoo” (Sweden)
- #18 Käärijä “Cha Cha Cha” (Finland)
- #19 Alessandra “Queen Of Kings” (Norway)
Yet again, the Irish act misses out on the main local chart. However, the Irish public are by no means averse to the class of 2023, with several cracking the top 100.
- #3 Loreen “Tattoo” (Sweden)
- #7 Käärijä “Cha Cha Cha” (Finland)
- #18 Alessandra “Queen Of Kings” (Norway)
- #37 Noa Kirel “Unicorn” (Israel)
- #44 Mae Muller “I Wrote A Song” (United Kingdom)
- #67 Teya & Salena “Who The Hell Is Edgar” (Austria)
- #85 Blanka “Solo” (Poland)
- #95 La Zarra “Évidemment” (France)
The Italian charts rarely light up with Eurovision hits. However, much of the momentum gained from last year’s hosting seems to have remained. There are four 2023 songs in the top 100. For comparison, when Måneskin’s won in 2021 with “Zitti e buoni”, no other Eurovision song made the countdown. Of course, this year’s chart is also filled with Sanremo entries.
- #4 Marco Mengoni “Due Vite” (Italy)
- #24 Loreen “Tattoo” (Sweden)
- #33 Alessandra “Queen Of Kings” (Norway)
- #85 Käärijä “Cha Cha Cha” (Finland)
The Netherlands might not have fared so well on the scoreboard, but several 2023 hits make The Dutch Charts — which focuses on physical sales, downloads and streaming.
- #1 Loreen “Tattoo” (Sweden)
- #12 Alessandra “Queen Of Kings” (Norway)
- #13 Käärijä “Cha Cha Cha” (Finland)
- #42 Mia Nicolai & Dion Cooper “Burning Daylight” (Netherlands)
- #74 Noa Kirel “Unicorn” (Israel)
Norway’s main chart — the VG-Lista — only looks at the top 40 songs. Four of this year’s entries have broken into the countdown.
- #2 Loreen “Tattoo” (Sweden)
- #3 Käärijä “Cha Cha Cha” (Finland)
- #5 Alessandra “Queen Of Kings” (Norway)
- #30 Noa Kirel “Unicorn” (Israel)
It’s perhaps the country that’s most obsessed with Eurovision. Back in March, almost all the entries in its national selection graced the charts. So, it’s hardly surprising to find a decent chunk of tracks from Liverpool inside Sweden’s top 100.
- #1 Käärijä “Cha Cha Cha” (Finland)
- #3 Loreen “Tattoo” (Sweden)
- #7 Alessandra “Queen Of Kings” (Norway)
- #27 Noa Kirel “Unicorn” (Israel)
- #56 Marco Mengoni “Due Vite” (Italy)
- #65 Tvorchi “Heart Of Steel” (Ukraine)
- #79 Teya & Salena “Who The Hell Is Edgar” (Austria)
- #82 Gustaph “Because Of You” (Belgium)
- #84 La Zarra “Évidemment” (France)
- #86 Vesna “My Sister’s Crown” (Czechia)
He secured Switzerland’s fourth consecutive qualification and Remo Forrer has been rewarded with a #2 in the Swiss charts. Only Loreen could out-perform him.
- #1 Loreen “Tattoo” (Sweden)
- #2 Remo Forrer “Watergun” (Switzerland)
- #5 Alessandra “Queen Of Kings” (Norway)
- #8 Käärijä “Cha Cha Cha” (Finland)
- #12 Marco Mengoni “Due Vite” (Italy)
- #46 Noa Kirel “Unicorn” (Israel)
- #79 La Zarra “Évidemment” (France)
Four tracks from the Eurovision Song Contest 2023 have made the Top 10 on the Official U.K. Charts. That’s a first in the 71-year history of the official charts in this country. A total of 12 entries have managed to sneak into the overall Official Singles Chart Top 100.
- #2 Loreen “Tattoo” (Sweden)
- #6 Käärijä “Cha Cha Cha” (Finland)
- #9 Mae Muller “I Wrote A Song” (United Kingdom)
- #10 Alessandra “Queen Of Kings” (Norway)
- #45 Noa Kirel “Unicorn” (Israel)
- #48 Teya & Salena “Who The Hell Is Edgar” (Austria)
- #56 Blanka “Solo” (Poland)
- #63 Gustaph “Because Of You” (Belgium)
- #79 Voyager “Promise” (Australia)
- #92 Andrew Lambrou “Break A Broken Heart” (Cyprus)
- #94 La Zarra “Évidemment” (France)
- #95 Tvorchi “Heart Of Steel” (Ukraine)
How are the acts doing in other countries’ charts? Let us know in the comments below.
Loreen’s “Tattoo” has a lot stolen from Mika Newton’s “V Plenu”, ABBA’s “The Winner Takes It All” and Pont Aeri’s “Flying Free”, and remembering 2015 & 2018 winners we should be worried.
Måns Zelmerlöw’s “Heroes” is a knock off of David Guetta’s “Lovers on the Sun” and that stick figure on his stage show was stolen.
Netta’s “Toy” had stolen from White Stripes “Seven Nation Army” so much they had to add Jack White’s name to those credits to avoid lawsuit.
Interesting that this supposed inferior song has actually charted higher than Euphoria. She managed number 3 back in 2012.
https://www.bbc.com/news/entertainment-arts-65688927. “NO ABBA ’24”
This is pure comedy, in my opinion.
Do you the song “Pure Comedy”, by Father John Misty?
Do you know
No, I don’t.
It would be interesting if Emmelie de Forest came back to represent Denmark next year, they will finally qualify! Let’s hope all Nordic countries can qualify in 2024!
all nordic countries will qualify in 2024, of course
i don’t think denmark can sink lower than botox boy rich influencer tiktokker Reiley
Iceland just had bad luck choosing mediocre Dilja rather than something quirky fun Langi Sell’s OK which could’ve been a meme hit with the tarantino vibes all over
Look what a copied song can do, Get you into all the charts and also win the Eurovision Song Contest. Last year it was Rosa Lynn with Snap and this year no less than 3 successful copied songs, And all of them are Scandinavian: Loreen with Tatoo, Käärijä with Cha Cha Cha and Alessandra with The Queen Of Kings. That’s it, the formula for success in the Eurovision contest has been cracked, And if not then at least for success in the charts, Just copy songs, Preferably rhythmic and successful ones, And if the EBU dares to say a word… Read more »
What songs did Kaarija copy?
Electric callboy. Actually his song is the one tgat is the most similar to another song. Loreens is not similar to any particular song.
That is totally the opposite, if you ask the artist who have done the original songs… Electric Callboy has very clearly said, that CCC is not a copy of their song.
First of all Rosa Lynn did not win Eurovision, and did not get even a top 10 placement. Second of all, which song did she exactly copy?
Jealousy is toxic.
Funny how the French entry is doing better than entries that fared better in televoting (Moldova and Armenia for example) Norway’s Queen of the Kings is also doing better than Unicorn.She was truly robbed by the juries. It’s good seeing the Top 3 of the televoting doing very well in charts, it doesn’t happen every year. Super happy for Loreen’s success – no surprises there. She’s even doing well in the most difficult chart, the UK Singles chart. Wow! France clearly does not give a .. about Eurovision. Only 2 entries enter the Top 100 (even La Zarra didn’t chart… Read more »
I think the juries got Norway’s result right. They were voting for “Queen of Kings”, and the public were voting for “Alessandra”… one is wonderful, the other is not.
I heard Alessandra didn’t hit her high note in the jury final, and her vocals overall were shaky. I think it’s hard to judge the jury decision when we didn’t even get to see what they saw, and I think that’s also unfair. I don’t know how to solve this problem tho.
Great to see the public’s actual listening habits reflecting the real scoreboard atfer the final. Finland winning would have just pleased drunken viewers on the night, Sweden’s win is a victory for quality and will be better for Eurovision in the long-run.
Well said, you’re absolutely right.
Next year will be filled with quality Melodifestivalen style songs, hopefully In English, applies to overrated Italian ballads as well! I think Friends arena will host, it’s the biggest venue in Europe! Abba is most likely performing, since Sweden is the best scoring country ever and now with 7 wins and 2 time winner? Amazing! Jury should get 60% of the votes, with audience getting 40%.
I doubt i will watch a snoozefest like that then
Abba have stated that they are 100% NOT participating in the show. This is an official quote……sorry.
Well, I love Loreen, but I don’t think it necessary to denounce Käärijä’s performance that way.
Just to be fair, the championship can help boost streaming, and Käärijä’s song is not that far behind, either.
All the artists and their teams have taken their efforts and delivered great performances. Let’s just recognise that.
Exactly and Cha Cha Cha is number one in SWEDEN and in the top 6 in many other countries!
Spot on – you’re absolutely right!
I wasn’t drunkern on the night and let me just say I’VE SOBER ALL MY LIFE and I freaking LOVED Kaarija’s song!
I always listen to comments like “This was better for reputation of Eurovision…” And I’ve been listening to these comments for years and years. Ok does credibility of Eurovision only depend on ballads winning and funny songs never winning? When will be “time” for funny and edgy song to win? If you ask jury lovers never. I’m done with these comments! Finland had by far the best song and it would have been better for the contest if that song won because everyone would remember it in years to come. People still listen to Fuego, and not Toy. I don’t… Read more »
How do you know no one will sing these songs? Was not” Toy” the funny and edgy song you looked for? And it won because audience voted for her..
People still sing ” Arcade”, why would they not sing the other winners?
Good to see so many song charting.
OT , but you’ll have a laugh- My cousin, who’s a massive Loreen fan, is now kissed with my husband, because he called Tattoo “Beige Euphoria”. I can’t with any of them sometimes.
I hope you meant “pissed”, not “kissed”….
Sounds like an accurate description lol
Is Tattoo the only song left in the Spotify Top 50 Global Chart? I just check, it is at #20. It looks like it has stabilised a little after a hefty drop to #24 yesterday. But I could not find the other ESC songs….
Viral 50 – Global is full of Eurovision songs though… and Gladiator by Jann is at 49, so pleased to see that.
Ah cool! I just check that chart. Good to see many ESC songs over at Viral 50 Chart! I am happy to see Jann in the mix as well. Hopefully he will return to ESC in the future!
There’s only *the king*. Keep calm and cha cha cha!!
Käärijä I carry oooon! Because of youuu-ouuuu!
Surprising to see La Zarra in several charts, as her eurovision result was so disappointing??
The new charts come out Friday – is that right?
Great to see Cha Cha Cha is appreciated by the Swedes…more than Tattoo!
Maybe because Tatoo has been number 1 since February?
It’s good that they’d go for something different to what they sent. You’d think Tattoo would continue being huge outside of Eurovision for them.
What do you mean, continue being huge outside ESC?It already was number 1, which proves that yes its big in real life too. But its not like Tattoo will constantly be listened too either, charts are about whats current right now. And its not that fresh of a song anymore. It cant be number 1 forever
Loreen is always no.1 in the charts though, Tattoo is her millionth no.1 hit 🙁
wish everyone else had tastes similar to mine, i am proud to be dutchie, of our nederpop scene
But why wouldn’t it be number one DURING and AFTER Eurovision? I would have predicted EVEN MORE success in it’s home country?!
Former UK #1s , creme de la creme
Spitting Image “The Chicken Song” (Israel 2018 wasn’t the first)
The Firm “Star Trekkin'”
As being a mainstream #1 means something.
Sure Finland 2023 competes with these ones.
The number 6 is the more important slot!
of course, all from corrupt scandinavian elite countries 🙁
This must be the first time I have seen words corrupt and Scandinavia in the same sentence….
been living under a rock probably then
wish Sweden would just withdraw from eurovision but sadly will never happen
Yeah, so countries that can’t right good music can stand a chance.
Corrupt? If “corrupt” means “in love with music and Eurovision”, then you’re right. ?
It’s so nice when Eurovision has recognition.
Luxembourg in ESC 68th is a very good sign. I hope more, small, countries will come back.
hope more countries will withdraw from this dead contest
it was better when eurovision wasn’t as mainstream as it is now
Eurovision : 1956-2019
90’s 00’s are the best decades
Ne Zori Zoro remains that masterpiece, or Lane Moje <3
or the time when we dutchies slayed: Vrede, Hemel en Aarde, One Good Reason
early 10’s were nice too, Nije Ljubav Stvar <3 <3
i begin to understand Salvador Sobral more and more with his anti-fastfood views
Yeah, change is a terrible thing! ?
Can you imagine Loreen returning to the competition again but for Morocco (in few years) trying to give them a win. If she goes with a very modern/current Moroccan themed song I think it could. And the optics/history in the making, winning for a 3rd time and for a different country who would win it for the first time as well. THAT would be the challenge
Loreen, La Zarra, Bilal Hassani, and Basim should form a super group and represent Morocco. They’re all of Moroccan ancestry.
Loreen isn’t moroccan, she is the swedish elite
What’s Voyager’s ancestral heritage?
Maybe they can represent all of those countries too.
Honestly, I have some concerns about Loreen’s vocals by then.
But this is a really decent idea, whether she will win or not. And she can then choose a song more ambitious but less demanding on vocals.
I WOULD want Morocco participating, but I would like something with a more ethnic tribal feel, lots of drums etc. Random thought but I also want MOROCCON RAP!
Will Mae Muller return for Germany? Benjamin Ingrosso for Italy? Victoria De Angelis for Denmark? Netta also has Moroccan heritage, can’t she be included?
Wow, that will be interesting!!
San Marino will be taking the lead in this regard. 😉
If eurovision gets so mainstream popular it will bought by the Saudis from the Swedish owners.
The Saudi authorities are medieval people so they’d never want to associate themselves with a brand like ESC anyway.
I choose to celebrate that all three Nordic neighbours are strong this year, in both charts and votes.
Such a small part of a small continent but huge impact musically. I like to blame the weather and long winters for that:)
Kinda reminds me od 2016 when top 3 with televotes were Russia, Ukraine and Poland
i choose not to, because i have better tastes in real music 😉
thank god the balkans never have anything plastic english in their music scenes outside esc
domestically the balkans also have quite great artists with superb careers, dominating through the entire balkans is also what they usually aim for, same how montenegro 2015 Knez is considered ”Popstar of Balkans” and how his daughter, ex-hurricane Ksenija has her own record label now Kseniart
i’m always and always will be a hardcore balkan music obsessed lover
Kaarija sung in Finnish this year!
Big plus! As much as that’s a novelty song, it was great he sang in Finnish.
Yes as if the Balkan scene is not ruled by nepotism..
Which us why Ksenija is so popular
so what? you have corruption everywhere though
and no need to be like that to sweet Ksenija, if only she uses her resources for a solo ESC comeback for her home country of Montenegro, that would be putting the money to good use, to make her country finally and hopefully shine like they should
You know what’s sad? Thinking that your tastes are better because you don’t listen to “plastic music” when in fact what’s really great is to be able to listen to nearly any type of music, take it for what it is and enjoy it. This is what I call having an open mind (when it comes to music of course).
of course i know my tastes are better
every country must be similar to the balkans, in terms of love for native language
I like songs are doing quite well in the charts, but this years’ performances are doing quite poor views/youtube wise in contrast. Something I noticied.
Compared to other years specially. Interesting contrast
Tattoo is this ESC season’s big hit!
lol, at what that says about the lack of quality this year then
if a gibberish vocalist wins for a 2nd time
Looks another sore loser
Still being salty? Damn, your feeling must’ve really been hurt.
In my country Tattoo is being played all the time. It’s cool to see Loreen get the recognition she deserves.
recognition she deserves???? she already had her 5 minutes of fame in 2012 😉
Tattoo deserves no plays at all in any country, this fastfood trash
With this nasty attitude, you’re bound to be disappointed. I kinda feel sorry for you.
I’m not nasty though, i would have supported Sweden with either Kiana, Theoz or even Nordman, but i adore the grannies Eva & Ewa
WEEKLY TOP SONGS GLOBAL – SPOTYFY CHART
Loreen has close to 22.5 million streams in one week and is in eleventh place!
Käärijä has approx. 19.8 million streams and is ranked 20. Bravo. Surely that must be a record for a Finnish-language song?
Yes, it must be. Cha Cha Cha is already the most streamed song with Finnish lyrics. The previous winner was released in 2019 and has a total of 31 mil. streams.
More impressive from Kaarija than from Loreen, for sure
And yes i think so, although i do not pay attention to statistics myself, i listen to what i love listening to for myself, i hope Keira will also get her chance to ESC one day, my fave of this years umk
I would say it is impressive for both of them in different ways. For Loreen it is even better than Euforia and for Käärijä as an unknown artist singing a Finnish – language song,
I like it when Eurovision songs are charting well , it makes me feel like Eurovision is worldwidely going bigger and bigger every year. Everyday is see tons of random TikTok videos about Eurovision and they’re getting insane likes almost a million , that proves it too.
But TV viewing figures seem to be going down sadly , how much is that in total this year ?
Everyday i see*
I think the reason we get falling viewing figures is less people watching linear television. This year in Norway we had one of the lowest viewing figures recorded in a final we participated in, but it still made up 85 % of all tv viewers on the final night.
More people are watching on online services or watching on YouTube or are finding out the songs later!
I watch most nf’s on youtube, if only for top entertainment live chats
Ratings in the UK, Germany, France are all up this year. Even last years viewing figures were an increase over 2021 in the comparable markets, the overall lower numbers were simply due to the exclusion of Russia and missing Ukrainian ratings.
EBU will report on the numbers in June but honestly where do you live? TV is so 2000 now. No one is watching TV, a lot of people don’t own a TV or use the TV LED screens for streaming and not cable/TV channels. Everything is online.
As a result, it is hard to have an accurate number of viewers.
Many people might not have watched the full show but they will watch the performance on Youtube/TikTok and social media. There are different measurements for the success of the show now.
Tattoo #7 on the “Billboard Global excl. US” chart. #1 on UK’s “Official Big Top 40” chart. Is set to break 100 million Spotify streams two weeks after the contest. Daily peak already surpassed Zitti e Buoni. Spotify had Loreen on a Times Square billboard. Historic.
Cha Cha Cha was #1 in the US Spotify Viral 50, which is neat. In a way its success is even more noteworthy, considering it’s in Finnish and doesn’t have Universal Sweden (+Spotify) pumping money into marketing.
Well it isnt historic any longer to be spotify featured on times square as that happens to all winners simce 2018 I believe… And also others… Rosa Linn as well I believe…
It happens to ALL artists to be fair. They advertised many global artists on Times Square.
I wish we can have another Snap this year, a song that regardless of its result in the contest becomes viral and manages to be successful in the charts.
Which songs can fill that criteria and achieve a sleeper success?
Armenia could very well do it again.
Myb Burning Daylight
I can see cha cha cha becoming popular all over again by being meme viral perhaps in the next 5-10 years
Solo has a chance with being viral. Catchy bejba and self love theme
I can see Denmark trying for it with TikTok guru Riley. He apparently started off with one of the biggest followings there. I can also see quite a few of the NQs from semi-final 2 being big. Iceland has the potential to be big in the UK. I think Slovenia, Serbia and a few songs at the bottom like where Rosa Linn also ended up have the potential.
Biggest followings = 6 televote points, all from Iceland
And this in the weaker semi 2, he would have been a nill pointer in semi 1 for sure
I don’t think we will have a SNAP-type of success this year. I believe Tattoo will be the biggest ESC 2023 song but it won’t go viral.
Käärijä’s “Cha Cha Cha” has been #1 on the Spotify Viral 50 – USA chart for the past four days (Loreen’s “Tattoo” has been inside the top 10, and Alessandra’s “Queen of Kings” has been between #25-#35 for the same time period, so they’re making an impact on streaming on this side of the pond too!
Americans love meme songs. For example: Macarena, Informer, Harlem Shake and Black Beatles were number one in the Billboard Hot 100. There is a possibility for Cha Cha Cha to be successful in North America, slim but still something.
“Gangnam Style” (Billboard #2) feels similar in some ways.
I mentioned this earlier but I can see this becoming a viral meme song in a few years in a similar way as songs like caramelldansen and dragostea din tei are
Today was a BIG day — “Tattoo” (#15), “Cha Cha Cha” (#27), and “Queen of Kings” (#58) all debuted on Billboard’s “Global 200” chart (which tracks streams and downloads across platforms!)
this chart does not count the streams though, it is a chart that measures the trends and increases in streams.
for example kaarija was an unknown artist with little audience and streams prior to ESC and UMK. He has received millions of streams in a short period of time and as a result he’s number one on the viral chart based on his profile.
I hope they stay strong for a few more weeks. I’m tired of Miley’s Flowers topping all charts everywhere, something different would be welcome.
Top 3 in the televote, top 3 in the charts ! An incredible year for Nordics !
hope the nordics will get some karma soon, loser Alessandra, loser Loreen, loser turd Kaarija
Well someone is a sore loser. And its not any of those three..
i’m not a sore loser
1) i’m tired of that sort of schlager pop from norway
2) never been keen on Loreen her sound, i tried jinxing her here and i failed
3) Kaarija isn’t my cup of tea, i gave him a low score for vocals too tbh, i do like finnish music though, Erika Vikman i am a fan of her slick, smooth sound, i also am a fan of Danny’s ballad few years ago, came across to me as a finnish amar pelos dois
On the contrary, I hope Finland or Norway actually win soon. Sweden can take a backseat though!
Although I’ve never been a huge fan of Finland this year, but I would never call him a loser.
Finland has usually been among my faves bar 2015, 2021, 2023
Last year i drooled over The Rasmus their epic It inspired staging and Lauri is so lovely
The Nordics are ruling the charts this year! Congrats!
so predictable, like every other year
i fully understand why the likes of Bulgaria completely lost interest in this plasticvision
with Sweden, Norway and Finland winning all the time
Whenever Bulgaria send a quality song it ended really high, so don’t understand what the problem is?
Water deserved that high position for sure, Beautiful Mess was also very good
I too wish they would become interested again, but sadly their music scene is going through a mediocre time, not much what is wow, just nice i guess