The competition is fiercer than ever among this year’s entries from the former Yugoslavia. With the return of Montenegro, four entries from the region are vying to win over the audience at Eurovision 2025.
Over the last few weeks, we asked you to vote for your favourite former Yugoslav entry in our poll. With more than 3,000 votes cast, we can now reveal which entry captured your hearts.
Nina Žižić is a favourite from the former Yugoslavia at Eurovision 2025
Fans seem to be overjoyed to see Montenegro return to Eurovision, because Nina Žižić topped our poll with 1,186 votes, or a little over a third of the total votes.
It was a close call between the second and third place entries, but Slovenia’s Klemen ultimately came in second with 777 votes, while Croatia’s Marko Bošnjak came in third with 759 votes. Each of these entries got close to a quarter of the total votes.
Finally, we have Serbia’s Princ rounding out the poll with 588 votes, or 17.76% of the total votes.
Full results: Which country of the former Yugoslavia has the best entry at Eurovision 2025?
- Montenegro – Nina Žižić – “Dobrodošli” – 35.83% (1,186 votes)
- Slovenia – Klemen – “How Much Time Do We Have Left” – 23.47% (777 votes)
- Croatia – Marko Bošnjak – “Poison Cake” – 22.93% (759 votes)
- Serbia – Princ – “Mila” – 17.76% (588 votes)
Total votes: 3,310
Is Montenegro also your favourite act from the former Yugoslavia in Eurovision 2025? Did you wish to see a different entry come out on top? Let us know in the comments below.
Nina has a great song and a beautiful voice but Princ is my favorite from the former Yugoslav countries
Yeah, not much of a competition when you have Poison Cake as by far the best and most ambitious one of the bunch.
Greece and Albania are showing the rest of the Balkans how it’s done.
Nina has a great voice and the song is sound good luck Montenegro
Out of these I like Serbia most it’s in my top 15, Croatia is in my top 20, Slovenia is in my top 30 and montenegro is in my bottom 5
I don’t get why Serbia is not more popular. His performance at London was off the scale