“Modern art in a very Dutch jacket” – Joost Klein teases what’s to come at Eurovision 2024
More than your average party anthems.
Interviews
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Bulgaria: Will Poli Genova return to Eurovision in 2024?
She’s waiting for the green light
EXCLUSIVE INTERVIEW: France’s Slimane says “Mon Amour” is “a love letter” to European hearts…and says he hopes to attend pre-parties
“Sharing my music, sharing my art”
From “bad bitch bops” to melancholy — Mae Muller says “Sorry I’m Late” captures her entering a new era
“I tend to write about relationships and boys being rubbish”
“Why not?” — Piqued Jacks discuss potential Eurovision return amidst ongoing touring schedule
New music is on the way
Germany’s Lord of the Lost feel “embraced” by Liverpool as city welcomes Eurovision 2023 artists and fans
“We’re not afraid of telling each other our weaknesses”
“So much sorrow and rage” — Luke Black shares painful reaction to shootings in Serbia
“We’re all shaken up as a team”
“We needed a vehicle” — Australia’s Voyager on Eurovision 2023 staging and first rehearsal, including THAT car
“What better vehicle than something quintessentially eighties?”
“Tampere is really nice” — Käärijä is ready to bring Eurovision 2024 to Finland
“It’s about doing my best”
“We used to busk on the streets of Dublin” — Ireland’s Wild Youth on humble beginnings to Eurovision stadium showcase
They’re feeling the love in Liverpool
“Rock ‘n’ roll’ has no limits” — Romania’s Theodor Andrei discusses new staging for Eurovision 2023
“It’s just me trying to escape from this fire of love”
“I’ve been dancing my whole life” — Poland’s Blanka lights up the Liverpool stage with “Solo” revamp and dance break
“I hope you guys really enjoy it”
A cosmic love story: Moldova’s Pasha Parfeni discusses the symbolism of the “Soarele si Luna” lyrics and staging
“Such cosmic symbols like the sun and the moon are important for everyone”