Olly Alexander teases “gritty” stage show…but not one where “something spins around”
“I want it to be surprising for the audience”
Interviews
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Joost Klein interview: “Don’t let your traumas only be burdens”
His video helped him heal
Marina Satti: Luck is a major theme of my Eurovision 2024 song
She says spirituality is at the root of world music
Luke Black on Serbian tragedy and PZE backlash (What Really Happened at Eurovision, Episode 5)
“I’d run to the toilet to cry”
Gåte on “Ulveham” — Our MGP 2024 song involves a maiden, an evil stepmother and a wolf
That’s only the start
Margaret Berger on “Oblivion”: I wanted a song as good as “I Feed You My Love”
Stockholm Pride was a turning point
“I have a Norwegian teacher!” Sydney-born Mileo tells us about competing in Melodi Grand Prix
His friends will fly up from Down Under
“Modern art in a very Dutch jacket” – Joost Klein teases what’s to come at Eurovision 2024
More than your average party anthems.
Bulgaria: Will Poli Genova return to Eurovision in 2024?
She’s waiting for the green light
EXCLUSIVE INTERVIEW: France’s Slimane says “Mon Amour” is “a love letter” to European hearts…and says he hopes to attend pre-parties
“Sharing my music, sharing my art”
From “bad bitch bops” to melancholy — Mae Muller says “Sorry I’m Late” captures her entering a new era
“I tend to write about relationships and boys being rubbish”
“Why not?” — Piqued Jacks discuss potential Eurovision return amidst ongoing touring schedule
New music is on the way
Germany’s Lord of the Lost feel “embraced” by Liverpool as city welcomes Eurovision 2023 artists and fans
“We’re not afraid of telling each other our weaknesses”
