What does Miriana Conte’s “SERVING” have in common with songs by Kesha, the Ying Yang Twins and 17th century Algerian folk music?
In this episode of “What Really Happened At Eurovision?” William and Freddy dissect the Arabian riff — a motif that plays in one of Eurovision 2025’s most talked about songs. (You may recognise it from the playful kid’s song, “There’s a place in France where the naked ladies dance…”)
Professor Joe Bennett from the Berklee College of Music explains how Arab influences make “SERVING” such a special song and why, no matter how hard you try, you KANT resist shouting the chorus. He also discusses the foundations of creativity and how the notion of “exoticism” frequently shows up in music.
